EMMA WATSON
talks being self-partnered at the ‘Little Women’ NYC Premiere, 2019
Draco: Potter. You got a haircut.
Harry: Yeah, I–
Draco: I don’t like it.
Harry: *hair immediately grows back*
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Thanks to @rose-grangerweasleyisbae @inevitabledrarry and @o0o-chibaken-o0o + varied anonymous sources for submitting dialogue prompts two and a half years ago.
I showed my brother a gif from Kill Your Darlings and he asked why Draco was seducing Harry in the Shrieking Shack
Like no one else—that’s what Margot Robbie’s like. You’re asked this question a lot about actors—"What’s she like?“—and I’ve never been able to give an answer I’m happy with. With Margot, you can recall some classic precedents: the comedic genius of Carole Lombard, for her all-bets-off feistiness; Joan Crawford, for her grounded, hardscrabble toughness; Ida Lupino, for her emotional daring. Margot has all this in addition to a unique audacity that surprises and challenges and just burns like a brand into every character she plays. […] Margot is stunning in all she is and all she does, and she will astonish us forever. — Martin Scorsese
During one of Birds of Prey’s fight sequences, Harley Quinn (Margot Robbie) identifies a teammate’s vulnerability and provides a critical assist — by lending her a hair tie. This small act of sisterhood is as familiar in an everyday context as it is surprising in the DC Extended Universe. It’s one of the many ways that Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) differs from its superhero movie forebears: It not only stars women, it was made by them, too. “There’s more women in front [of] and behind the camera than any movie I’d worked on, which is pretty incredible,” says Robbie, who also produced the film. “It was partly a conscious decision, but it also always felt like the organic, right choice to make.”
—Entertainment Weekly: How the R-rated, women-powered Birds of Prey flips the bird — and the script — in high-flying style
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